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Well, every artist, I think, wants to get his message felt by people. And then just a year later you’re playing electric keyboard with Miles on Filles de Kilimanjaro and In a Silent Way. So how did you become a fusioneer? Because in 1968 you recorded Now He Sings, Now He Sobs, your classic piano-trio album with Miroslav Vitous and Roy Haynes. He was like a champion of the fusioneers. You know, an interesting thing that just popped in mind was that in the late ’80s or maybe early ’90s, the pianist Billy Childs had a position at UCLA for a while and he was teaching a course devoted entirely to the electronic music of the ’70s featuring Return to Forever, Mahavishnu Orchestra and Weather Report.
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So everyone has agreed to use the term in a non-derogatory way, huh? It was a dirty word in the ’70s, you know. Recently, Corea reminisced about being on the forefront of the fusion movement 50 years ago.īill Milkowski: While your two upcoming releases are both in acoustic mode, you have a significant place in the history of fusion music.Ĭhick Corea: Yeah.
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Two upcoming projects set for release later this year on the Concord Jazz imprint - Plays, a double-CD solo-piano outing, and Live, an Akoustic Band reunion with John Patitucci and Dave Weckl - are strictly acoustic. He continued to embrace electronic instruments on albums like 2004’s To the Stars (an Elektric Band reunion), 2103’s The Vigil and 2019’s Antidote (with his Spanish Heart Band).
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But Bitches Brew had him diving headlong into a brave new world of electric instruments, a direction he would pursue in earnest with his own Return To Forever band in the mid-’70s and his Elektric Band from the mid-’80s through the early ’90s. He’s also famously carved out a place for himself in music history as a prominent explorer and innovator of fusion.Ī participant in Miles Davis’ seminal 1970 fusion recording Bitches Brew, Corea had already played Fender Rhodes on two previous Davis releases from 1969, Filles de Kilimanjaro and In a Silent Way.
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Celebrated keyboardist-composer Chick Corea has had his hand in many styles of music: bebop, post-bop, avant-garde, Latin and straight-ahead jazz, flamenco and classical.
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